Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, June 20, 2011

Scribd update and Marxhausen Exhibit

Here is a link to a St. John Lutheran Church pamphlet which describes the artworks in the church, which includes the white T cross and stained glass windows designed by Reinhold Marxhausen.

There is an old version and a new version of the pamphlet.

Here's the URL to the collection: http://www.scribd.com/collections/2809198/Marxhausen

Update:
I've added the latest edition of the Concordia Broadcaster to the collection. The Summer 2011 edition of the Broadcaster has an article in memory of Reinhold.

There will be an exhibition of Marxhausen's art entitled "Do You See What I See?" at the Marxhausen Gallery of Art at Concordia University. It will run Oct. 2-Nov. 18. If you've enjoyed following this artist's work online, please try to visit and see his work in person.

Friday, June 17, 2011

I and Thou in the Here and Now by Kay Anderson

The book I and Thou in the Here and Now is a book about finding joy in life and dealing with how life can be sad and feel like a drudgery. In it, the author shares short stories of her experiences. Several of these are about her memories of Reinhold Marxhausen. Karl Marxhausen shared a copy of this book with me which includes a note from the author addressed to Reinhold.

Stories which were about Reinhold were marked with stars in the text. Here is the note written by Kay Anderson and the relevant quotes from the book:

8/15/77

For Marx—

This book was launched after meeting you. Your spirit joined mine…and you will find yourself clearly reflected on the star marked pages. You are the “senior robin” in the Fantasy Finale. Thanks for BEING you!

With love,

Kay

(The FLURRY is super! Thanks J)


p. 16

At a conference, an artist loaned me his eyes until I was able to see with my own.

Marx shared himself and gave me a world of new awareness. Suddenly, common things took on great significance. I stooped to study a dried and crumbling leaf, and saw the sun move through it casting a lacy shadow on my path.

p. 48

The conference is long past, and I feel like a child whose hands are still cupped to hold a shimmering bubble that once drifted away on a breeze.

It’s hard for me to let go of something or someone that completes me. Although the longing makes me painfully aware of my needs, it also makes me aware of beautiful memories. I chose to recall and remember the joy. I chose to reach out again.

p. 77

A man told me that his father had always wanted him to become a minister, but he became an artist instead. Now in his fifties, he drives himself in his work seeking to minister to others through his medium, not yet certain that he’s fulfilled his father’s dream.

He and I and others have placed excessive demands on Self, all because of unresolved and long-ago, external expectations. To become aware, to be gentle with Self, to accept the kind of reflections of others—that is a beginning. The past need not consume us.

p. 116

“Look there!” my friend said, and pointed in my tea cup. I presumed he meant a speck of dust or some lint. “It’s okay,” I assured him, and poured myself some tea. Then he had to take another cup to patiently show me a heart-shaped reflection that the sunlight cast in the cup.

At least for now, it takes a conscious effort for me to remain silent and receptive. I would like to give others time to reflect, to share, to be.


The final chapter of the book is a fantasy that the author dreamed about. The two main characters are an old butterfly and a senior robin. Notes were written in the margins, identifying the butterfly as Kay and the robin as Marx. Here is the section of the final chapter which is a direct reference to Reinhold:

Fantasy Finale

The Great Escape

After being at a luncheon with friends one day, I came home to think through the conversations of that noon hour. I felt frustrated by the lack of fulfillment expressed by some of my friends. I felt saddened by their willingness to accept their “lot in life.” I felt separated from them when I shared some of my flying experiences.

And then I had a fantasy. Within the fertile garden of thoughts and wishes and dreams, I saw the birds and butterflies of the world held captive on the wheels of life. Though their wings flapped and fluttered, a clasp was closed around their bodies, and they were seemingly hopeless captives.

Around and around they went on their particular wheels, pouring out their life force in pursuit of life’s daily needs. They were limited to experiences within the scope of that wheel. There they saw their fellow winged beings. There they all dipped down to eat and rest at the end of the day’s “journey.”

“That’s life,” I imagined they’d say, just as my friends were saying without actually voicing that conviction. But I couldn’t bear it! Not for myself. Not for them.

Then into my fantasy came an old butterfly and a senior robin. They had been “flying” for most of their lives. They had seen sunsets over the lake, sunrises on the hills of the forest. They had tasted of flowers and worms. They had climbed to great heights. They had been driven against their will in sudden unexpected squalls. They had taken their chances away from the security of the wheel.

Now they had come home. In a mutual pact, they had agreed to try once more to free their friends from captivity.

“Lift your eyes,” they butterfly whispered in a flutter of demonstration. “Look up!”

“Raise your vision,” chirped the old robin. “There’s more to life than worms. I eat so that I can fly and drift and splash in rain puddles. Lift your heads, my friends.”

Still the wheels turned. The lovely creatures remained passively secure within the clasp of life’s practicalities. Around and around they flew, though I question the use of that verb. Their only change of pace came at meal times and at dusk.

On the next morning, the old butterfly visited flowers that flourished beyond the well-worn and quite barren and of wheels. And the senior robin sang freely from the branches of a lush leafy oak.

Perhaps it was an accident. Perhaps it was a plan. But the uncommon song of the robin caused two birds to life their heads suddenly, almost in unison.

With that individual choice, two clasps flew open. Two birds abandoned the plodding plight of the wheel. The responsive birds were free, free at last. Together they flew, they truly flew to join the senior robin. They flew to participate in life.

As if on cue, the old butterfly winged close to one wheel, settling, lifting, dipping her wings, faltering a bit. She caught the attention of an eager young captive. Excitedly the old butterfly fluttered forth toward the blue and waiting sky. And the young one looked up!

Again a clasp flew open. And for a while the fragile and untested young wings moved more quickly. Then they stopped. The wheel moved forward, relentlessly, and the young one was almost swept away in the down draft.

Just in time, the old butterfly flew close and flapped and flapped and flapped, until a kindly breeze developed to set the young butterfly right again. They away she flew, up and up and up.

“I’m flying,” came the song of the lovely butterfly. “Flying, really flying.”

All that day and the next, which would be like years in the life of men, the old butterfly and the young, along with senior robin and his friends, called out to those still trapped on the wheel.

“Look up! There is more to life than the cares of daily existence. Try your wings. Security can be hopelessness. Lift up your vision, your hopes, and you will be set free.”

Slowly, one by one, others dared to trust the uncommon call of shared flight. “Trust in Good,” said the robin. “Good created this world. Good gave us wings to carry us beyond hopelessness.”

And then, late in the afternoon, they were gone. These harbingers of freedom moved on to other wheels, to other trapped beings. There was not time to free them all. Life is of the essence. And the essence vanishes.


I and Thou in the Here and Now

Kay Anderson

1977, Word, inc.

Saturday, May 28, 2011

Two books by Reinhold

Greetings,

I've returned from my school trip to France. After 11 days of sight-seeing and learning, I've returned with a book full of sketches, a bag full of books, and a head full of ideas. Since there were no posts while I was away, here are links to a couple of files I've been working on which fans of Marxhausen will enjoy.

Both of them are scrapbooks Reinhold made. One is called New Forms of Worship, and shows artwork and worship spaces along with his notes on them.

The second, A Time to See, should sound familiar to those who have seen his documentaries. The scrap book features several of the photos featured in the documentary he made, as well as multiple additional photographs in a similar vein.

Here is the URL of the page of Scribd, where I am collecting Marxhausen related documents: http://www.scribd.com/collections/2809198/Marxhausen



Tuesday, May 10, 2011

Marxhausen Chapel Message

Hello blog readers! Tomorrow, I leave for France, and will return May 22. You'll have to wait til then for new posts, so today I'm just going to let you know what I've been working on recently. I've been scanning a few books created by Reinhold. These books were entrusted to me by Karl Marxhausen.


So far, I have completely scanned two books, one of which is titled A Time to See and contains photos he showed and discussed in the film of the same name. It also includes many more photos not shown in the film, and tells the stories of the interesting things he saw and how he found them. I'll be sharing my favorite highlights from his many sketches and notes here shortly after I return, so check back later this month!


For today, I'd like to share this text of a school chapel Reinhold wrote. Pastor Bruick of St. John Lutheran Church in Seward shared this story at the memorial service for Reinhold. When Reinhold originally delivered this message, the pine coffin he built was sitting on stage.


My Capsule Just Fits

Reinhold Pieper Marxhausen, 1981—St. John Lutheran Church—School Chapel

“I used to be afraid of death
As anyone else.
Even though we know that Christ has conquered death.

My hair used to be black. I’m changing. I’m dying.

This is my casket. I paid $130.00 for it.
When it came to my house in a cardboard box as a kit,
I put it in the garage.
I did not open it for a long time because I was afraid.

Last summer I glued the pieces together.
It sits in my studio.
I see it whenever I work.
I stand in it most every day.
I am no longer afraid.

I think about death often.
When I open my eyes in the morning,
I’m surprised and happy.
Another day for me.
A gift unexpected.
But this day may be my last.

I know you are young,
full of life ahead to look forward to.
This is important.
I’m 59.
Some of you will die before me.

Farmers don’t throw their seeds away.
They plant them.
Old and shriveled people and seeds become new after death.
Like these beautiful flowers.

This box is a symbol.
A new space capsule for my meeting with God.
A great new adventure lies before me.
This box reminds me every day of God’s grace and love.

May it be for you also.”

Sunday, May 1, 2011

Book on Sound Sculpture

Today, I visited Link Library at CUNE and checked out the book "Sound Sculpture: a collection of essays by artists surveying the techniques; applications; and future directions of sound sculpture." It was edited by John Grayson and the back of the book describes it as "The first publication to deal completely with this new art form." Part I of the book is devoted to senior artists active in the field of sound sculpture, which is where Reinhold is featured.

In his essay, Marxhausen relates the stories of different objects he worked with to create musical sounds. As a young boy on the farm, Marxie collected discarded whiskey bottles (unbeknownst to his father, a minister). Another story was playing the musical saw with the Lincoln Nebraska symphony. I plan to post the full text of Reinhold's essay in future.

This book lends further creedence to Reinhold's status as a "founding father" of an artistic movement within sculpture.

For those who have been fascinated by the musical works by Reinhold, such as his star dusts, cosmic cubes, and head sets, here is a list of names of other artists featured in the book for you to research: Bernard Baschet, Francois Baschet, A. Villeminot, Harry Bertoia, Allan Kaprow, Stephan Von Huene, David Jacobs, and Charles Mattox.

1975, Pulp Press, Canada.

Wednesday, January 26, 2011

Book Review in SCI

This article is a book review printed in the Seward County Independent on July 24, 1985. I was given a copy last year when I visited Marxhausen's studio. Just this week, I discovered a copy of the book reviewed here at Link Library.

In addition to a collection of videos produced by Marxy, Link library has these resources as well: a book entitled Seeds from the Sower: Responses to the Parables of Jesus which includes art by Marxhausen and several other CUNE art faculty; Seward Drawings by Karl Marxhausen, which also includes a note thanking his dad; and a vinyl record of the sounds created by sculptures by several notable artists in the field, including Marxy.

Monday, May 31, 2010

Flurries

This is a publication written by Marxhausen about his innovation to use honey comb paper, which is like a slinky made of cardboard, as a medium for art classes. It's economical and allows young students to work in three dimensions.



Sunday, May 9, 2010

Bless Kids With Rich, Multi-sensory Environs



[Edit:Notice that his list of credentials mentions four films. Time Lines, Findings, and A Time to See are pretty widely known, and have been preserved in Concordia's library, but The Koenig Collection is less widely known. I'm happy to report that I discovered a copy of this fourth film on tape and now have it on DVD. The quality of the audio is not as good as the other three, but it contains some excellent information. If anyone else owns a copy of The Koenig Connection with better sound, I would like to preserve it on DVD.]








Monday, May 3, 2010

Bless Kids

A page from a publication about art education written by Marxhausen. I scanned the whole thing, and will see if I can post a downloadable PDF. It contains artwork and art projects Marxhausen used in his classes.